Who is nader sadek

Can you tell us which musicians will be on stage with you? Yes, normally I want to make it more than, just an audio show, and have a visual feel as well. Thank you very much for your time! Add anything you wish to close this interview! We are truly humbled and very much looking forward to doing this and traveling a little bit and checking out the country!

Highlights Interviews. Mary Kalaitzidou — February 25, Later, I brought Aborted and Alkaloid, from Belgium and Germany respectively, which again drew a huge crowd. In the end, the show was amazing and attended by many. His info was all wrong. Syndicated backpedalling But it backfired: Shaker was forced to officially retract his statement after coming under attack from the media — it was a big surprise to see the media defending me!

Mafia tactics Next, I brought German band Dark Fortress to Egypt to do a show — a band that has absolutely no mention of the devil or anti-religious rhetoric in their art. Every time I booked a venue, the head of the Syndicate and his little trolls would call the place and threaten them, mafia-style, and I ended up having to have Dark Fortress play in a studio with a capacity of about I actually asked them to play in the Sepultura show and they declined, which was obviously because they knew it was going to be shut down.

The saddest thing is that they have already scared off many of the people who enjoyed the shows. I would watch them come up with ideas, riffs, and breakdowns here and there, Derek really took the bull no pun intended by the horns, and together they engineered this monster. I had to digest what they were doing and then come up with ideas after we got home. We had only enough time to jam times, the 5th time being when we actually just played it over and over and made sure we got it more or less right.

The last actual writing day would be the 4th. On the 3rd jamming day I came up with the chorus part. It was amazing watching them come up with the stuff, and they gave me the perfect opportunity to put my chorus in there.

It was all quite magical. Later when everyone went home, I had the time to work on my vocals and lyrics. Once I came up with lyrics and a vocal pattern that I was happy with, I decided to sing and record inside the pyramid of Snefru. It was also an ancient site that I had taken Derek and Karl and Mahmud to. The reason I wanted to record there is that the chambers of this pyramid specifically were built to manipulate sound frequency.

Again this is mind-boggling, because no one understands the function of this. No one understands the function, not even close, although there are many theories. Anyway, I wanted to do something where I could borrow something from the ancients and put it in the record, something that is meaningful and not just generic.

So I thought of capturing this frequency that is created inside the chamber. So Karl, what were your thoughts when Nader first approached you with this project?

My response was a resounding Hell Yes. Working on a project together was something Nader and I had talked about for many years. Getting to play again with Derek I knew would also be a special rare opportunity to participate in some music that I knew would be Killer from the word go.

Was this your first time in Egypt? And if so what was the experience like for you? It was a blast. Completely epic. Nader was a fabulous host during our stay, and took us to many incredible historic places. An unforgettable experience. Well, Nader is pretty easy to work with.

He never really tells anybody what to do, he just put some killer musicians in the same room and turned them loose. It was a lot of fun, Nader , Derek , and Mahmud are top-shelf. We often hear there is a lot of controversy around the musical work he does in Egypt.

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